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TORONTO, May 10, 2006-- Harbourfront Centre is pleased to announce Sarah Harmer, one of Canada's premier singer-songwriters, as an addition to the summer lineup of Harbourfront Centre's Ticketed Concert series. This highly-engaging, Canadian contemporary artist performs at the Harbourfront Centre Concert Stage July 27, 2006. Tickets are $31.50 and go on sale this Friday, May 12, 2006 at 1 p.m.through the Harbourfront Centre Box Office by calling 416-973-4000 and online via . Doors open at 6:30 p.m. Performances begin at 8 p.m. and end at 11 p.m. General admission seating and standing room applies.

Captivating her audiences with her unique vocal quality and introspective lyrical writing, Sarah will perform songs from her latest release I'm a Mountain (See Biography following release) as well as include songs from her earlier repertoire.

Presently, Sarah Harmer is readying for a tour of the UK with performances scheduled in Bedford (May 23), Birmingham (May 24), Newcastle (May 25), Glasgow (May 26) and London (May 28). In addition to the UK dates, Sarah will be playing a solo show in Dordrecht, Holland on May 30th. Her latest album, I'm a Mountain was released in Europe this past March. Picked by Time magazine in the US as "one of five voices you need to hear" Sarah is making major moves and capturing new fans both internationally and at back here at home in Canada.

"As Harmer sang the lovelorn tale, the musicians delicately lapped at her burnished, slightly twangy, just plain beautiful voice. ....Harmer, a veteran of Canadian alt-country bands Weeping Tile and Saddle Tramps, writes wonderful songs about simple and important things. In ''Escarpment Blues," which she wrote for a land conservation campaign she led, she sang pointedly, ''The wild ones won't have anywhere to go." Such beauty, such compassion." -Boston Globe Feb. 27, 2006

High resolution photos available through the following link:

For continuous summer and concert series updates and information go to


Harbourfront Centre Media Contacts:
Bill Bobek 416-973-4428 -
Shane Gerard 416-973-465 -

I'm a Mountain - a Biography

My friend gave me a Tarot card reading over the phone one night as I was watching TV with a guitar in my lap.

"I've drawn a mountain," she said.
"I'm a mountain," I said.

So began a song that became the title track of my new record. Most of these songs have been milling about in my mind for a while now, some I started writing back when I put down the electric guitar and ding-digga-dinged my way through summer on the back porch. All of them live in the same wide frame and seem to belong together.

I am Aglow, the Ring, I'm a Mountain, these are tunes inspired by country music and bluegrass bands, singing for the joy of it, and telling new versions of old stories in song. The Phoenix builds on the themes of courage and regeneration and the inspirational How Deep in the Valley came from somewhere deep in the hymnbook of my memory. Down low in the picture frame (under a log) is Salamandre, a children's song written by my friends Kate Fenner and Chris Brown. I am thrilled that this modern classic can be part of this collection as it expresses my own love for the magical and precious amphibian and the time-honoured relationship between nature and imagination.

Luther's got the Blues is my old pal Luther Wright's enduring scruffy sidewalk lament, and Dolly Parton's Will He Be Waiting For Me lives in the world of lost love and yearning that I, too, know something about. I wrote Goin' Out for an AIDS vigil and I am so happy to have my dad singing it with me. He also lends his warm and wise timber to Oleander.

And finally, casting its glow over the entire record is the new folk song Escarpment Blues. Escarpment Blues tells the story of a current land-use conflict in Southern Ontario on the Niagara Escarpment, a UNESCO World Biosphere Reserve. I grew up on the escarpment on the farm where my family still lives, within a long green corridor that is prized for its fresh water resources, its endangered species habitats, its prime agricultural soils and its wetlands and forests. These lands are under serious threat from the aggregate (sand, gravel, shale) industry. The problem is that large multinationals companies want to open new quarries on top of the escarpment and extract the rock below these ecosystems, thereby removing and destroying them. So, after writing the song, I got the idea for the "I Love the Escarpment" Tour and set out in June 2005 with some of my best musical mates to hike the escarpment and make music along the way.

Julie Fader (vocals, keys), Jason Euringer (vocals, stand-up bass), Spencer Evans (clarinet, accordion), Joey Wright (mandolin, guitar) and I hit the Bruce Trail (the continuous hiking trail that goes from one end of the escarpment to the other) and spent two weeks rock climbing, caving, hiking, and performing in theatres and community halls along Southern Ontario's spine. All proceeds of the tour went to help finance the research and advocacy work of Protecting Escarpment Rural Land (PERL), a volunteer organization that I helped form last winter when the new quarry proposal came to light in my old stomping grounds of North Burlington. After a wonderful tour we put away our hiking boots and we went into reaction studio in Toronto to capture these songs, all wrapped in up our camaraderie.

This record was made for everyone, everywhere. Like the smiles we had on our faces when we made it, we hope it spreads far-and-wide.
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